KAIRAN 10 + 11
The visual poem you see below was made by Japanese artist Hiroshi Tanabu who is among the contributors to KAIRAN 10 +11.
This two-issue set is entirely devoted to poetry in the mail art network. It's almost 90 pages full of poetry (word-based, visual, concrete, etc.) and poetry-related articles and interviews.
KAIRAN 10 features:
- a massive ABC by Guido Vermeulen, who introduces many artists who are seldom included in mail art publications.
- a photo-report by Bruno Chiarlone on his postal actions
- an article by Theo Breuer on visual poetry
- a report by Nancy Burr about the NorthWest Concrete/Visual Poetry Exhibition in Seattle
- a piece by Carla Bertola on sound poetry by Italian female artists
- plus poems by Giovanni Malito, Turk LeClair, Monica Ferretti, Marilyn Dammann, Francesco Mandrino, Bernd Reichert, etc.
KAIRAN 11 features:
- interviews with Harry Burrus, Mark Sonnenfeld, David Stone and Francesco Mandrino
- an article by Misako Yarita on concrete and visual poetry in Japan
- a piece by Keiichi Nakamura on collaboration in poetry and art
- opinions by Geof Huth, Michael Peters, and Michael Basinski on visual poetry
- plus tons of poems by Reed Altemus, Ficus Strangulensis, Jim Leftwitch, Jesse Glass, Jr, Willi Melnikhov, Laura Ryder, Pete Spence, etc.
A few copies are still available. If interested, please send US$ 6.00 or 5 euro for the nice pair (US$ 4.00 or 3 euro for a single issue) (well-concealed cash) or a good trade (you know what I mean) to:
And remember that all the back issues are still available: in particular,
- #3 is partly devoted to the historical TRAX networking project
- #4 is devoted to mail art in former Yugoslavia
- #5 is a homage to Robin Crozier ("the most famous unknown artist in the world")
- #6 focuses on art & money
- #7 is devoted to mail art in Latin America
- #8 is about femail artists
- #9 contains a huge annotated index of mail art publications
Many of these issues also feature rubberstamp art, stickers, and artistamps.
Order today some of these great zines, so you don't have to go all the way to the MOMA in New York, the National Museum of Contemporary Art in Oslo or the Staatliches Museum in Schwerin, Germany to read them.